Sunday, April 29, 2007

Hot Wedding Tips: Wedding Jewelry For Bridesmaids

By Chris Ryerson

If you are planning all of the details of your wedding down to the design on the napkins at the reception you really have your work cut out for you. This can be a very overwhelming task. Yet the rewards are also great. Having a wedding day exactly like you had always dreamed of is a huge reward. However knowing that you planned all of the details yourself makes it that much sweeter.

One of the things you will want to consider is wedding jewelry for bridesmaids. This is not a have to and many times you can skip this. However, if you are serious about choosing all of the details and having everything come out just perfect then you will want to choose the jewelry for your bridesmaids. One of the biggest side benefits of choosing your wedding jewelry for the bridesmaids is it can also serve the second function of being a bridesmaid gift after the wedding. This article will help guide your through making some of the important decisions when choosing wedding jewelry for bridesmaids.

The Wedding Theme

One important thing to always keep at the forefront of your memory is your wedding theme. Your wedding theme should really determine and help guide your entire decision making. For wedding jewelry this is no different. You want to choose jewelry that is consistent with your wedding theme. For example if you are having a very formal classic church wedding then you will want to also purchase classic looking jewelry. Most likely this would be pearls. If you are doing some other type of wedding like a themed wedding then you will want to choose jewelry that goes along with the theme. For example if you are having a beach themed wedding or a beach destination wedding then you should choose your jewelry accordingly.

The Wedding Dress

Another consideration when choosing the jewelry for your bridesmaid is your own wedding dress. The wedding dress and bride should be the central focus of attention for the wedding. Therefore you want the jewelry you choose for yourself and your bridesmaid to really compliment and not compete with your wedding dress. Some things to think about are the style of the dress and the neckline. If you have a very ornate dress with lots of extra design details on the front then you might not need a necklace and should opt instead for earrings and maybe a bracelet. However, if your wedding dress is simple or has an open neckline or even a strapless dress then you want to accent this area with a beautiful necklace.

The Bridesmaid Dresses

Just as you want to plan the jewelry around your wedding dress you want to think about the bridesmaid dresses also. Again you will want to choose jewelry that is flattering but not competing for attention. Often the bridesmaid dress will have some color in it and you can pick up these color themes in the jewelry. Remember you can always just go with the classic option of pearls and you are sure to win. However, if you want a more relaxed or even artistic look you might want to do a mix of pearls with some other beads. A choker necklace with a beautiful pendant can also look great if the bridesmaid dresses are open in the front.

The most important thing is to try and plan ahead. Don’t just go to the store blindly and pick anything out that strikes your fancy. Instead take some time and plan the jewelry style you are looking for based on your wedding. IF you have some ideas of what you want like a chocker or pearls then you can use this when you go shopping. Make sure you tell the salesperson right away what you are looking for so you don’t waste your time being shown a bunch of options that will not work for you. It makes a lot of sense if possible to buy the bridal jewelry for yourself and for your bridesmaids at the same time. This way you can be sure that you have completed the whole job and the wedding jewelry for the bridesmaids matches or enhances your own jewelry.

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Article Source: http://EzineArticles.com/?expert=Chris_Ryerson

Gold Jewelry Fashions

By Eric Hartwell

Gold has been in fashion since the early Egyptian societies adorned almost every part of their bodies with gold jewelry over 3000 years ago. Earrings appeared in Egyptian fashion around 1500BC. However, Pharaohs have not been recognized as wearing earrings. Mycenaeans wore gold finger rings while the Greeks adorned themselves in many gold jewelry varieties. Women wore necklaces, diadems, rings, bracelets and wreaths. Men ornamented themselves with finger rings and wreaths. Aphrodite, Eros and Artemis were worn as decorative figures on necklaces. Chokers figured prominently in Greek gold jewelry adornment. Greek men wore earrings that were thought to be an effeminate expression.

From 300-400AD in China, hair ornaments were crafted of gold. Ornamental filigree and granulation was applied as well as the setting of precious stones. Ancient Chinese men and women wore gold earrings as a sign of popular adornment, with the higher status peoples wearing gold and silver and the lower classes bronze and copper. Necklaces were not popular among the Ancient Chinese prior to 700AD. In ancient Japanese culture, jewelry was very rare aside from a few hair ornaments. India began the tradition of wearing gold nose rings circa 900-1000AD, which was introduced by the Muslims.

In Medieval times, gold jewelry of brooches, rings, pendants, belt clasps and hat badges were generally worn adorning clothing and by both men and women. From the 14th century on, a heart-shaped gold ring brooch became a popular symbol of love between paramours. Jeweled necklaces and tight chokers returned in the late 15th century as necklines plummeted, revealing milky white skin that complemented a bejeweled throat. Bracelets and earrings were again worn by the upper class. The wealthy started to carry gold personal cases (pomanders), often intricately inlaid with jewels and depicted motifs, holding snuff or personal wares.

Another curious style of jewelry was the prayer books, which hung on a chain from the waist to the hem of a woman’s skirts. Italians are credited with the wise decision of wearing jewelry to embellish beauty, rather than as a sign of status. Men of the Italian Renaissance did not adorn themselves with much jewelry, preferring instead elaborate hat jewels. The advent of gold chains returned, with both men and women partaking in the fashion of adorning their necks. In the 17th century, Baroque fashion saw the rise of intricate detail and ostentatious design of flowing silk fabric, bringing the French court to the forefront of fashion trendsetting. In the classic revival period of the 19th century, traditional Roman cameos reemerged as fashionable, pale faces surrounded by gold.

A set of short gold chains, also known as the chatelaine, were used for carrying keys and other wares from a woman’s belt. Louis XIV influenced jewelry fashion when a small gold locket was named after his mistress, Lavaliere. In the later 1800s, after excavations in Etruscan, Roman and Greek tombs and ruins revealed the jewelry of the ancient civilizations. As it happens, fashion would follow in history’s footsteps with this retro-discovery and it became trendy to wear archaeologically correct styles of jewelry.

Eric Hartwell is involved in The World's Best Home Page (please visit to read and share opinions) and Jewels To Love

Article Source: http://EzineArticles.com/?expert=Eric_Hartwell

Tuesday, April 03, 2007

The popularity of the golden spiral

by David Yuri

Not many people know this, but there are lots of signs which are considered to be the cornerstone of life throughout the cosmos. The first and most important shape is the perfect circle. Seven circles passing through their centers create the shape known as the seed of life. If the seed of life would be multiplied, the shape thus obtained represents the flower of life. The centers of the seed of life, if connected, would form the shape known as the tree of life. All these shapes and many more are believed to contain the map of the universe and to represent the origin of life. All of them can be found in nature in one way or another.

Another symbol of this nature is the golden spiral. Two well known sacred geometry shapes are represented in the golden spiral: the Fibonacci spiral and the golden mean spiral. The golden mean, in philosophy, especially Aristotle's, represents the desirable middle between two extremes, one of deficiency and one of excess. The golden mean, phi, is also called the golden ratio or the golden proportion. It is a constant value that is more mysterious and profound than pi.

To obtain the golden ratio, one must divide a segment, for example AB, in a place, C, so that the ratio of the entire segment to the larger part of it is the same as the ratio of the larger segment to the smaller one. The decimals of the value phi keep on going, without repeating themselves. This unique number can be found incorporated in all organic structures, ranging from the bone structure of humans to the spiral of the shell sea. The presence of this ratio in all biological structures makes it seem like the blueprint for life. It was named by Plato the "key to the physics of the cosmos".

The value of phi is 1.6180339.... A structure that is based on the golden ratio is the golden rectangle and it was developed by the Greek mathematician Pythagoras. It is basically a rectangle that can be divided in a square and another rectangle that maintains the same proportions as the original rectangle. This type of rectangle can only be obtained based on the golden ratio. If you would add other squares on the longer sides of the golden rectangle, the shape obtained is another golden rectangle.

The Fibonacci sequence was used to describe the growth patterns of plants. It starts with 1, 1 and the next terms are obtained by adding the last two numbers, like this 2, 3, 5, 8, 13 and so on. The relationship of the Fibonacci sequence with the golden ratio is that if you were to divide the last number to the one before it, the value approaches the golden ratio. If you go further down the sequence, the value gets closer and closer, but it doesn't reach the exact value of phi.

The Fibonacci sequence can be represented in a spiral form. This is very similar, almost identical, to the golden spiral. The difference between the spiral obtained using the Fibonacci sequence and the golden spiral is the definite beginning of the first one. The golden spiral has no beginning and no end. A representation of the golden spiral was found in a crop circle in England, called the "Hackpen Hill formation".

A Fibonacci spiral shape can be found in Egypt. The positions of the centers of the Giza pyramids accurately define a line as the Fibonacci spiral. Also the phi ratio is found in the architecture of the Great Pyramid. The golden section is demonstrated in the basic cross section. Bottom line, the shape has great value and significance to it. The shape of spiral can be offered as a gift with great significance. If you consider offering someone jewelry representing this shape be sure to visit ka-gold-jewelry.com.


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